#Speedcrunch strings software

#Speedcrunch strings software

You can even use the software to plot and generate graphs. Now, you can use xFunc scientific calculator to perform the calculations for math expressions, logic expressions, graphs and truth table. Build complex expressions by adding logarithms, trigonometric functions, constants and fractions. Gets the melody, but most often provide the harmony and accompaniment.XFunc is a advance open source scientific calculator designed to provide you with a simple solution for building mathematical expressions and calculate them. Violin Play in thirds with the 1 st Violins. Ravel’s Bolero, Rossini’s Barber of Seville )Ĥ or More Notes in the Chord Self-explanatory! Complex/Unnatural hand layoutĬhords involving more than 1 Position (See Shifting!)ġ st Violin Higher register, Melody line. Quasi- guitaraĪlla-chitarra The instrument is held like a guitar (ex. (See Rolling the Chord, Bariolage) a.k.a. The impression that all 4 strings are struck at the same time.īetween 2 or more strings, usually all 4 strings. Solo Violin, Bartók’s Solo Sonata, Rimsky-Korsakov’s Triple Stops 3 Adjacent strings Quadruple Stops 4 Harder it is, and the more time is needed to reach that new position.īow on the String History of the Bow (Pedal tone!) Curvatureĭouble Stops Open strings and Stopped notes And so on.įrom one position to another (either direction). Position The first finger replaces what was normally played by the Position The first finger replaces what used to be played by the Closest to the Nut! From there you canĮxtend the hand/fingers back to Half-Position The Closer to the Nut, the “Wider” the Semitone 1 st Position Most natural and easiest of positions. Obtain the same uniform sound, it is best to keep a melody line on the sameĮver possible). Of Fingering Changing the length of the string withĪ uniform tone Difference in timbre of the 4 strings. Not encouraged Layout of the Strings VS Curve of the Hand Fingering Concept Slapping the String More common in Double Bass writing. Striking the String Self-explanatory! A.k.a. Tapping the Instrument Self-explanatory! With the palm of the hand but Never Grofé)įingering Hitting the string with the fingers on the fingerboard without The Bridge Self-explanatory! Unpredictable,ĭifferent pitches every time. Play with more downward pressure than necessary. Tailpiece Literally playing on the tailpiece, more common for Doubleīass writing (audible overtones) produces a very resonant nondescript sound. Sonata, Violino Piccolo in Brandenburg #2 or Wachet Auf Cantata #140 of (To change the timbre Saint- Saens’ Danse Macabre, to facilitate fingering Kodaly’s Cello A lot of Vibrato may be requested ( Molto Vib.). In a fast passage little or no vibrato used unless Or different strings, measured or unmeasured. Tremolos Alternating between 2 notes, same or different, same string Sliding the finger from one note to the next note using the same

Glissando/ Portamento In practice one and the same. Glassy, unearthly, metallic sound ( See Bowing on the Bridge). Mute Use of a mute to alter the timbre (and volume) of theĬol legno With the wood of the Bow (percussive effect).

Natural Using the whole string (Overtone series).Īrtificial Altering the length of the string. _ On the _ string to safeguard the same timbre. Tremolo Alternating between the right hand and left hand plucking Left hand Plucked with the left hand (lack of time.) Tremolo Very fast changes of ups and downs. Piqué Fast and repetitive dotted figure played with separate bows Repeated Down-bow = pesante (usually at the frog)

Up-bow Spiccato bouncing in the same direction (up bow).ĭown-bow Spiccato a.k.a. Popular in dotted and double dotted French Overture! (S ee spiccato) Staccato Short, quickīows a.k.a. Legato Connecting all the notes, no space at all, no accent! Lots of Pressure but no speed = crunch, rough Sound popular in contemporary pieces and with French composers (impressionistic Note E (or C with an extension) written 2 octaves below middle C ( A few players nowīass notation in bass and tenor clefs. Note (C String) C, one octave below middle C Note (G String) G below the staff (treble clef)